Our Work

Fashion

A lookbook has to make clothes worth wanting.

We light for drape and shoot for movement.

Man in a cream blazer holding a pomegranate, standing on a stool
Portrait with sculptural braided hair and a flower at the lips

Embroidery this dense earns a slower shoot.

Windswept portrait in a black tailored jacket with a graphic scarf
Two models in embroidered bridal couture against an aged backdrop

Bridal couture  |  Calcutta, 2026

Man in an embroidered kurta holding a white peacock
Pinstripe blazer and ties styled as a high kick against a wall
Man in a paisley robe and aviators in a park
Portrait in a jewelled gold net gown with a fur wrap
Man in an open floral shirt layered with gold necklaces
Portrait in a gold draped halter saree against a painted backdrop
Woman in a cream linen co-ord turning through a daisy field
Woman in a cream saree seated on red velvet
Woman in a cream tie-front set seated in a wildflower field
Man in a cream linen suit layered with pearl necklaces
Woman in a black draped cutout gown against a moody backdrop
Man in a brown corduroy blazer layered with gold necklaces
Woman in an oversized leather jacket in a styled interior
Man draped over a green couch in a striped knit sweater
Woman in a black suit holding a leather bag on set
Denim jacket pulled up over the head, seen from behind
The Detail

Shot between poses

Half our best frames happen between poses. A denim jacket coming off over the head, a skirt catching wind in a field. We keep the camera running through them.

The Collection

We build the set too

We built that red archway for a single lehenga. Casting, set and colour grade run through one team, so a whole collection arrives looking like it belongs together.

Plan your next lookbook →
Bridal lehenga in beaded lace, lit within a red archway